![]() ![]() Forests are darker than standing on a rooftop on a cloudless day. A leaf of an oak tree does absorb light and reflect light. One might say that light can be blocked as well, and they would be right. This is why, upon interrupting the medium with dense objects like foam, the interaction of molecules on one side of the interrupter can not transfer to those on the other side of the interrupter and can even be absorbed by the interrupter. It is required to have the interaction of molecules of the medium with other molecules of the medium. Sound however, requires sufficient medium. It requires no medium and can therefore can propagate through both extremely sparse - space, upper atmosphere - and extremely dense - plastics, water - environments. They are inherently different on the basis that light is electromagnetic radiation. It is true that sound and light are alike only to the extent that they are both waves. The difference (or color) comes from higher frequencies (called harmonics) that the instrument adds to the fundamental tone. For example, a trumpet sounds vastly different than a flute even if both are playing the same note. When you overlap various pure tones of sound, the overall effect sounds different but has the same fundamental tone. This refers to a different concept than the color that pigments give. Musicians often refer to sound as having color. Lots of different common pigments are organic compounds with densities not too far from 1 gram/cm^3, yet these provide a whole array of different colors. The color of a pigment also is really unconnected with the density or rigidity of the molecules, which affect how sound travels. There’s not much connection between the frequencies of light some pigment absorbs and the frequencies of audible sound it might absorb or emit. If you are wondering what effect the pigments (light absorbers) in a material have on the type of sounds that come from it, the answer is usually: not much. So you can see that there’s no direct match between the sound and light oscillations. The sound frequencies are much lower, and the highest one is a thousand times higher than the lowest one. Not only are the light frequencies much higher, but the highest one is only about twice the lowest one. Each frequency gives a slightly different visible color. Visible light has frequencies from around 4*10^14 Hz to around 8*10^14 Hz. Each frequency gives a different audible pitch. ![]() Light can travel fine through a vacuum, which can have fields in it, but there can’t be sound in a vacuumīecause there’s no stuff there to oscillate.Īudible sound has frequencies that cover a very big range, from about 20 Hz to 20,000 Hz, meaning that the pressure at your ear oscillates back and forth 20 to 20,000 times per second. ![]() ![]() Light is a wave of oscillating electric and magnetic fields perpendicular to the direction it’s going. In solids, those waves can consist of either alternating compressed and stretched regions, or regions wiggling sideways, compared to the direction the wave is traveling. You’re right in that sound waves are a vibration traveling through an object, including "condensed" things like solids and liquids. The key background to this question is the nature of sound waves and light waves. ![]()
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![]() ![]() Adjusted diluted earnings from continuing operations per share, a non-GAAP financial measure, was $1.81 for the second quarter, compared with $1.22 for the same period in 2021.Īdjusted earnings before interest, taxes, depreciation and amortization (“adjusted EBITDA”), a non-GAAP financial measure, increased to $405 million for the second quarter, compared with $330 million for the same period in 2021.įor the second quarter 2022, the company generated $199 million of cash flow from operating activities and $73 million of free cash flow, a non-GAAP financial measure. Diluted earnings from continuing operations per share was $1.22 for the second quarter, compared with $1.00 for the same period in 2021.Īdjusted net income from continuing operations attributable to common shareholders, a non-GAAP financial measure, increased to $209 million for the second quarter, compared with $138 million for the same period in 2021. Operating income was $230 million for the second quarter, compared with $191 million for the same period in 2021. Net income from continuing operations attributable to common shareholders was $141 million for the second quarter, compared with $113 million for the same period in 2021. Revenue increased to $3.23 billion for the second quarter, compared with $3.19 billion for the same period in 2021. (NYSE: XPO) today announced its financial results for the second quarter 2022. 04, 2022 (GLOBE NEWSWIRE) - XPO Logistics, Inc. Improves North American LTL operating ratio to 82.5%, and improves adjusted operating ratio by 70 basis points year-over-year to 80.4%Īchieves North American truck brokerage year-over-year volume growth of 16% Sources: CoinDesk (Bitcoin), Kraken (all other cryptocurrencies)Ĭalendars and Economy: 'Actual' numbers are added to the table after economic reports are released.Reports second quarter records for revenue, net income from continuing operations and adjusted EBITDA ![]() Lipper shall not be liable for any errors or delays in the content, or for any actions taken in reliance thereon.Ĭryptocurrencies: Cryptocurrency quotes are updated in real-time. Any copying, republication or redistribution of Lipper content, including by caching, framing or similar means, is expressly prohibited without the prior written consent of Lipper. Mutual Funds & ETFs: All of the mutual fund and ETF information contained in this display, with the exception of the current price and price history, was supplied by Lipper, A Refinitiv Company, subject to the following: Copyright © Refinitiv. Data may be intentionally delayed pursuant to supplier requirements. FactSet (a) does not make any express or implied warranties of any kind regarding the data, including, without limitation, any warranty of merchantability or fitness for a particular purpose or use and (b) shall not be liable for any errors, incompleteness, interruption or delay, action taken in reliance on any data, or for any damages resulting therefrom. Source: FactSetĭata are provided 'as is' for informational purposes only and are not intended for trading purposes. Change value during other periods is calculated as the difference between the last trade and the most recent settle. Change value during the period between open outcry settle and the commencement of the next day's trading is calculated as the difference between the last trade and the prior day's settle. Sources: FactSet, Tullett PrebonĬommodities & Futures: Futures prices are delayed at least 10 minutes as per exchange requirements. Sources: FactSet, Tullett PrebonĬurrencies: Currency quotes are updated in real-time. Sources: FactSet, Dow Jonesīonds: Bond quotes are updated in real-time. Sources: FactSet, Dow JonesĮTF Movers: Includes ETFs & ETNs with volume of at least 50,000. Stock Movers: Gainers, decliners and most actives market activity tables are a combination of NYSE, Nasdaq, NYSE American and NYSE Arca listings. Overview page represent trading in all U.S. Indexes: Index quotes may be real-time or delayed as per exchange requirements refer to time stamps for information on any delays. Copyright © FactSet Research Systems Inc. Fundamental company data and analyst estimates provided by FactSet. International stock quotes are delayed as per exchange requirements. stock quotes reflect trades reported through Nasdaq only comprehensive quotes and volume reflect trading in all markets and are delayed at least 15 minutes. Total Shareholders' Equity / Total Assets Unrealized Gain/Loss Marketable Securities Deferred Income)Īdditional Paid-In Capital/Capital SurplusĬumulative Translation Adjustment/Unrealized For. Inventories FOR CALCULATION PURPOSES ONLYĬash & Short Term Investments FOR CALCULATION PURPOSES ONLY Total Assets FOR CALCULATION PURPOSES ONLY Total Current Assets FOR CALCULATION PURPOSES ONLY ![]() ![]() ![]() StarUML has a lot of powerful features which makes it more than a “simple” diagramming tool It is more aimed at people using UML intensively with some code generation with its support of Model Driven Architecture. StarUML supports patterns (GoF, EJB and User-defined patterns). You can also import diagrams from Rational Rose and verify your diagrams, using the UML 1.4 rules for model quality. StarUML supports Microsoft Office documents generation (Word, Excel and PowerPoint) and offers a customizable code generation feature. StarUML implements the following UML 2.0 Diagrams The StarUML tool has been created in 1996 and was open sourced and renamed StarUML 5.0. It supports actively the Model Driven Architecture (MDA) approach implementing the UML profile concept and allowing to generate code for Java, C# or C++. Based on UML version 1.4, StarUML allows using eleven different types of diagram, accepting UML 2.0 notation. StarUML is modeling software that runs on Windows with an open source license and supports the Unified Modeling Language (UML) modeling notation. "WhiteStarUML / Tickets / #73 Java Reverse Engineering PlugIn". 2017 ACM/IEEE 20th International Conference on Model Driven Engineering Languages and Systems (MODELS). "A Survey of Tool Use in Modeling Education". ^ "StarUML - Frequently Asked Questions".Proceedings of the 47th Annual Southeast Regional Conference on - ACM-SE 47. "Toward automatic artifact matching for tool evaluation". StarUML was the third most used product with 23.9% of the respondents having used it in their courses. It was based on an international sample of 150 academics. It can also export JPEG, WMF, SVG and PNG pictures.Ī study published in 2017 by the IEEE and the ACM has analysed the main software products used for the teaching of modeling. StarUML can generate HTML, PDF and EJS files do document a model. It can also import files from StarUML 1 which use the. The application can also export manually selected fragments of a model into separate files with having the. StarUML 2.0 uses its own file format with the. StarUML supports legacy modeling notations, such as: It supports most of the diagram types specified in UML 2.0. : StarUML offers object oriented modelling capabilities. Version 5.0 was published in 2022 and supports Apple Silicon. It included timing and interaction overview diagrams. A multiplatform version 3.0 was released in 2018 for Windows, Linux and MacOS. The old open source version is referred to as StarUML 1 in the product documentation, and the version numbering was restarted at 2.0.0. The South Korean company MKLabs publishes since 2014 the new versions of StarUML and licenses them under a commercial proprietary scheme. The campaign failed to raise the needed funds: less than 1000 USD were collected, that is 1% of the campaign's target. The aim of the initiative was to add support for other languages than Java and other modeling notations than UML. Ī crowdfunding campaign was launched in 2014 to finance a revival of the project under the name StarUML 2. It may still be used nowadays, but according to the owner of the product, if would no longer be maintained nor supported. A last open source version is published in 2010. The software evolved over several years as open source project and was recognized as an MDA tool with a capability to assist in reverse-engineering existing code. The software targeted at that time the Win32 platform and was essentially written in Delphi. The source code included multiple copyright notices for the period 2002-2005 by Plastic Software Inc. The first public release was published August 2006 on SourceForge under GNU GPL license. The aim was to provide UML 2.0 support as well as the capability to use third-party plugins. The software was renamed StarUML 5.0 in 2005 with a view to publishing it as open source. It was an internationalized product, compliant with UML 1.4,and claiming to support the Object Management Group's MDA approach. The last version under this brand was called Agora Plastic 2005 and was published by the Korean company Plastic Software Inc, Seoul. The version 1.1 published in 1998 dropped the OMT to support in favour of UML. Plastic 1.0 was published in 1997 to support the OMT notation. StarUML is the successor of an object oriented modelling software called Plastic. It is published by MKLabs and is available on Windows, Linux and MacOS. StarUML is a software engineering tool for system modeling using the Unified Modeling Language, as well as Systems Modeling Language, and classical modeling notations. Proprietary (free evaluation license, personal licence, commercial license, site licence) ![]() ![]() ![]() This likely led to people thinking that it was a real effect and it was being controlled. The 1973 book led to an FCC investigation, and while the FCC investigation did not find any indication that advertisers on TV were successfully using subliminal messaging, they warned broadcasters to avoid it, and advertising trade associations announced they were banning the practice. attribute the rise of the idea in America to a 1957 book by Vance Packard called The Hidden Persuaders, which was a bestseller, and a subsequent 1973 book on the same theme by Wilson Brian Key called Subliminal Seduction. The idea of subliminal messages is - according to a chapter Lilienfeld et al.'s book 50 Great Myths Of Popular Psychology endemic in 'pop psychology', the kind of beliefs about psychology that circulate among the public. Previous AMAs | Previous Roundtables Featuresįeature posts are posted weekly. May 25th | Panel AMA with /r/AskBibleScholars ![]() Please Subscribe to our Google Calendar for Upcoming AMAs and Events To nominate someone else as a Quality Contributor, message the mods. Our flaired users have detailed knowledge of their historical specialty and a proven record of excellent contributions to /r/AskHistorians. Please Read and Understand the Rules Before Contributing. Report Comments That Break Reddiquette or the Subreddit Rules. Serious On-Topic Comments Only: No Jokes, Anecdotes, Clutter, or other Digressions. Provide Primary and Secondary Sources If Asked. Write Original, In-Depth and Comprehensive Answers, Using Good Historical Practices. Questions should be clear and specific in what they ask, and should be able to get detailed answers from historians whose expertise is likely to be in particular times and places. Nothing Less Than 20 Years Old, and Don't Soapbox. Be Nice: No Racism, Bigotry, or Offensive Behavior. Downvote and Report comments that are unhelpful or grossly off-topic.Upvote informative, well sourced answers.New to /r/AskHistorians? Please read our subreddit rules and FAQ before posting! Apply for Flair ![]() ![]() ![]() However, the earnings threshold is lower: €50,000/year as opposed to €100,000/year. That makes them accessible in the remaining countries of mainland Europe, including Cyprus.Īt €350.90/year, subscriptions taken out through the general European store are priced similarly to those in Autodesk’s online stores for individual European countries, like France and Italy. ![]() Indie subscriptions also now available in the remaining countries in EuropeĪlthough users in most major European countries were already eligible for indie subscriptions, Autodesk has also now made them available via a general ‘Other European Countries’ online store. We aren’t sure exactly when the change was made – we spotted it when CGPress ran a story last week – but a search of Wayback Machine indicates that it’s happened since the end of January 2021. Again, the earnings threshold for eligibility is $50,000/year. In addition, there is now separate local pricing for artists in Argentina, Chile and Colombia. That list has now been broadened to include the whole of Latin America, not just Brazil and Mexico, with indie subscriptions available via Autodesk’s continent-wide online store.Īt $280/year, the cost is the same as for artists in the US, but the earnings threshold is halved: you can only take out an indie subscription if your gross earnings from creative work are under USD $50,000/year. Now available throughout the whole of Latin America The program was initially only available in Australia, Canada, New Zealand, the UK and the US, but in 2020, Autodesk extended the program to over 40 countries worldwide, including Asia and mainland Europe. The exact price varies from country to country, but is currently $280/year for the US. Launched in 2019, 3ds Max Indie and Maya Indie provide users with a gross annual revenue from design work under an earnings threshold with a single licence of the full version of the software. Use the full version of 3ds Max or Maya for $280/year Indie subscriptions are also available to artists throughout North America, where the earnings limit is $100,000/year, and Europe – now including the whole of mainland Europe – plus selected countries in Asia. The $280/year subscriptions, which provide access to the full versions of the software for use in commercial projects, are now available to artists in Latin America earning under $50,000/year from creative work. ![]() Autodesk has made 3ds Max Indie and Maya Indie, its reduced-price subscriptions to 3ds Max and Maya, available to users throughout Latin America, not just Brazil and Mexico. ![]() ![]() ![]() If the dialogue and characters do make you squirm, why are you playing Chaos on Deponia? The first Deponia – as an illustration of the series’ persistent laughs – should have been a fair deterrent, but the sequel surpasses it with every Rufus-induced injury. New players might be uncomfortable with the humor’s darker moments – turning baby dolphins into cat food or having junk crabs devour a gondolier – though that does not dilute the quality voice acting. I completed Deponia and its sequel back to back, and Daedalic definitely found the secret to making Rufus loathable and lovable between releases. “I just have a certain effect on explosive women,” boasts Rufus. The writing can be crude in its depictions of women – Lady Goal’s snobby, Spunky Goal’s savage, and Baby Goal’s idiotic – but I sympathized with their behaviors, considering all the misery Rufus causes. Although players must select the right persona for the right situation, their comments when I chose wrong earned a hearty laugh. Spunky Goal will not stand in a pool of water holding an umbrella in the middle of a lightning storm, for example the oblivious Baby Goal will. Goal’s temperaments only comply with particular demands. The biggest difference between Chaos on Deponia and its predecessor revolves around Goal’s personalities, which Rufus may switch remotely anytime (complete with Window’s bootup noise), and how they affect puzzles. ![]() ![]() Did Daedalic design Deponia as a trilogy from its inception? Although Rufus nearly ruins Goal’s memory inserts, she comes out of the second act livid but unscathed. ![]() Except, Chaos on Deponia’s opening arc drags its feet, and few major events occur between the tutorial and conclusion. Goal’s fragile state strands Rufus and company at the Black Market until he charms each of her personas into letting Doc properly mend them together. Not even two unorganized thugs could beat some sense into Rufus. Because Rufus bought bargain memory cartridges instead of the platinum-certified ones, the surgery to repair Goal’s implant splits her personality into Spunky Goal, Lady Goal, and Baby Goal, leaving Deponia's fate hanging in the balance. Seeing Rufus inevitably sabotage his surroundings remains a joy as well, but fixing Goal comes first. The Black Market trades many of the series' rusty hues for deep oceanic blues, and later locales include the North Pole – a measly iceberg housing a frozen caveman – and an island fraught with lightning. Unlike Deponia (the game), I never resorted to a walkthrough to make heads or tails of what the game asked me to do, or how each item factored into my mission at large.Ĭhaos on Deponia also expands its visual variety. But the developers throw out explicit hints to point you in the right direction. The Black Market’s background music prevents Rufus from remembering a secret knock, so players must minimize the in-game volume, while a later puzzle requires Rufus to best a fisherman’s patience by remaining stone-still for a few minutes. You might strain yourself trying to understand your next objective, too, because Daedalic exerts its talent for creating ingenious one-of-a-kind puzzles. Why is the tavern's jukebox played by an irate dwarf? Why is a demon working as a restaurant chef? Chaos on Deponia kicks comprehension to the curb for a clever cast and frequent sight gags. The Black Market bustles with all manners of eccentric citizens – the blind pharmacist who mistakes toilet paper for prescriptions, a resistance group led by an overweight Peter Pan wannabe, and so on – giving the town a more animated, live-in feel than any prior Deponia setting. It’s also one of the game’s biggest highlights. Help waits at the Floating Black Market, a captivating microcosm of crime and pollution that sells the parts veteran tinkerer Doc needs to repair Goal’s brain implants. Welcome to the Black Market's resistance movement, in the basement of their leader's mom's house. On her way to Elysium to stop Deponia’s destruction (as revealed in the first game), a rocket-propelled circular saw crafted by none other than Rufus shoots Goal’s transport out of the sky, damaging her memory chip. That means more bad news for the heroine Goal. This midpoint builds the tension for the series’ climactic end, with more wacky characters and puzzles that quiz players in ridiculous ways, even if it advances the story very little.ĭespite early assertions from Rufus that he has shed his egocentric attitude, a fiery tutorial involving an elderly couple’s parrot, hammer, toilet, and garbage disposal weakens his claims of empathy. A thrill ride nevertheless, however, Chaos on Deponia’s importance cannot be understated. If the Deponia trilogy is a roller coaster, then Chaos on Deponia is the crest of the first incline, not the crucial downhill drop it should have been. ![]() ![]() ![]() You can also edit the metadata and the album art of the audio files that are edited with Simple MP3 Cutter Joiner Editor. This is useful if you want to rip a music album CD and separate its songs into different audio files. With Simple MP3Cutter Joiner Editor you can also rip CDs and you can even afterward normalize or split into parts the audio from the CD. ![]() You can also record and mix two songs together from various inputs or even record the output of the computer's speakers. It can also be used as an MP3 splitter and can split MP3 files into parts and split them also by time. Trim, insert and silence parts of the MP3 or audio file.Īudio effects can be applied such as fade in, fade out, cross-fade, echo, volume, normalize, reverse, tempo, highpass, lowpass, chorus, earwax, flanger, treble, stereo to mono, noise reduction, all-pass filter, bandpass filter, band reject filter, bass, silence remove.Īlso, Simple MP3 Cutter Joiner Editor has an equalizer and you can load or save presets for it. Simple MP3 Cutter Joiner Editor shows you the waveform of the audio file and you can select, copy, paste, cut, delete, ![]() You can also extract and crop MP3, cut songs, join, split and edit the audio of more than 10 video formats. It does not only handle MP3 formatted audio but also more than 15 other audio formats. Simple MP3 Cutter Joiner Editor is an easy to use but powerful audio cutter, MP3 joiner, MP3 splitter and MP3 editor. ![]() ![]() ![]() ![]() Versions 4.8 and 4.9 introduced among other enhancements a built in Download Manager with which all free and premium modules can be downloaded directly into the program.īible Analyzer utilizes Bible, Commentary, Dictionary, Book and Image modules in the open-source SQLite database format. Furthermore, references to deity, such as pronouns, alternate designations, etc., other than by name ( God, Jesus, Christ, etc.) can be used as search criteria. For instance, any one (or more) of the six Marys in the Bible can be found at the exclusion of the others. Each person in the Bible (as well as all references to deity, including pronouns) is tagged with a unique ID to enable individual searching. Along with the optional Authorized Version People Edition Bible, Bible Analyzer can search for specific individuals using an ID tagging system. Version 4.7 introduced some original and unique capabilities. Version 4.5 introduced the "Session Manager" which allows the user to configure different sessions of modules for various types of studies. Version 4.0 includes a major updating of the interface and also a Harmony/Parallel Text Generator, Advanced Related Phrase Search, Multiple Bible Search capabilities, exporting of study data to the "MultiWindow," etc. The version 3 series greatly expanded them and added other features such as a dedicated cross-reference panel, "Related Verse" Searches, Text-To-Speech and Audio features, etc. Versions 1.0 through 2.2 concentrated on these features. Primarily features such as Bible text comparison, proximity range searches, and textual statistical analysis. According to its author it was first conceived in 2003 to address areas in Bible study and analysis that are largely untouched among other Bible software programs. Overview īible Analyzer is written in Python with a wxPython GUI. The Macintosh edition has also received positive reviews. It received a high rating for version 4.4 from. It implements advanced search, comparison, and statistical features of Bible texts as well as more typical Bible software capabilities. 5.4.1 / November 14, 2019 3 years ago ( ) ĥ.4.1 / November 15, 2019 3 years ago ( ) Ĥ.9.2 / May 20, 2014 8 years ago ( ) ĥ.2.1 / May 17, 2018 4 years ago ( ) īible Analyzer is a freeware, cross-platform Bible study computer software application for Microsoft Windows, Macintosh OS X, and Ubuntu Linux. ![]() ![]() ![]() The series premiered on Apalongside Beware the Batman, replacing Young Justice (2010) and Green Lantern: The Animated Series on Cartoon Network's DC Nation block, though it proved successful enough to receive a primetime slot in addition to its Saturday morning one. Be prepared for large doses of Comedic Sociopathy and Self-Deprecation. Think of it as being in the vein of Rock Lee's Springtime of Youth or RWBY Chibi, where the idea is to take established characters and put them in increasingly outlandish situations that wouldn't be possible in their more serious, plot-driven forms. Whereas the 2003 Titans were heroes regularly looking to do good and help those in need, the Go! Titans are portrayed more like a self-absorbed group of teenagers who are often mocked by both villains and fellow heroes alike for their tendency to goof off rather than fight crime. ![]() Oh, and fight crime if they ever feel like it. In contrast to its animesque action/adventure predecessor, Teen Titans Go! is a Denser and Wackier and zany Gag Series revolving around the titular superhero team and their comedic misadventures as they mill about Jump City or hang out around Titans Tower. Aaron Horvath ( MAD) and Michael Jelenic ( Batman: The Brave and the Bold) serve as showrunners. The main cast, as well as most of the supporting cast, reprise their respective roles from both productions. More specifically, it is a quasi- Spin-Off of the previous 2003 Teen Titans series, though it takes more direct inspiration from the New Teen Titans shorts that were also based on that incarnation. Watch the trailer for Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse below.Teen Titans Go! is a Cartoon Network animated television series based on the DC Comics series, Teen Titans. Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse is directed by Matt Peters and Katie Rice from a script by Jase Ricci. The voice cast of Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse includes Kimberly Brooks, Keith Ferguson, Will Friedle, Grey Griffin, Phil LaMarr, Max Mittleman, Jessica McKenna, Alexander Polinsky, Missi Pyle, Nicole Sullivan, Cree Summer, Fred Tatasciore, Myrna Velasco and Kari Wahlgren. The young Super Heroes discover their combined strength – and usual comic relief – are essential to save the day in this blockbuster event!” Our heroes must cross dimensions to rescue their fellow Super Heroes from the Phantom Zone, but a fortuitous wrong turn leads them to Titans Tower – where they find much-needed allies in the Teen Titans. The logline for the TV movie, which comes to HBO Max on June 28: “With the help of an ancient Kryptonian power, Lex Luthor unites the world’s Super-Villains to capture all of Earth’s Super Heroes, until … only the DC Super Hero Girls are left to stop the Legion of Doom. Set to release first on Digital, Blu-ray and DVD on May 24 then on Cartoon Network on May 28, Mayhem in the Multiverse will see the Teen Titans and DC Super Hero Girls reunite to combat Lex Luthor and his unified gang of DC Super Villains. Executive producers include Michail and Register.Īlso coming down the Teen Titans Go! pipeline are updates for the upcoming TV movie Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse. ![]() Teen Titans Go! is produced by Warner Bros Animation. The voice cast includes Tara Strong, Scott Menville, Greg Cipes, Khary Payton and Hynden Walch. “Seven seasons, one theatrical feature film, multiple specials, celebrity cameos, and no end in sight, this show has carved out its own lane in the acclaimed legacy established by the original Teen Titans animated series.” “The undeniable success of Teen Titans Go!, with its signature blend of action and subversive superhero humor, is a testament to the phenomenal work of executive producer Pete Michail and the show team,” said Sam Register, President, Warner Bros Animation and Cartoon Network Studios. Teen Titans Go! is the longest-running animated series in DC history. Season 8 will debut later this year with more characters from the DC Universe including Beard Hunter, King Shark and others and will bring the series to its 400th-episode milestone. Olivia Nuzzi Developing Pitch-Black Satirical DC Drama At AMC ![]() ![]() ![]() And one is, of course, Brave New World–1931, I think I got the date right. And let me introduce old George Orwell, because 1984–these two great books, I bring them up all the time in the show, I bring it up in my classes. If you haven’t heard parts one and two, go check it out.īut now we’re going to cut to the chase, where I expose Lee Camp as a secret commie agent, and the justification for a new cold war with Russia–that didn’t work out so well, maybe China whoever, we got to find someone. ![]() And let me just say, in the first two parts we explored a lot of stuff: the financial crisis, drone warfare, I’m not going to go through the whole list. Hi, this is Robert Scheer with the third edition of my Scheer Intelligence issue with Lee Camp, author of Bullet Points and Punch Lines, billed as The Most Important Commentary Ever Written on the Epic American Tragicomedy–put the emphasis on tragic “tragicomedy,” and I think they’ve got an accurate point to promote this book. You can also read the transcript of this episode below the credits. Listen to the rest of the bonus conversation between Camp and Scheer as they tackle questions about inequality and effective activism, as well as the 2020 general election, in the media player above. The “Redacted Tonight” host wants to focus on the people he calls “the titans of dickery,” in other words, the CEOs, politicians and others who hold disproportionate amounts of wealth and power in American society. Camp would rather talk about what the Bill Mahers of the world conveniently leave out of their jokes. He has no problem throwing a few punches at the cable news channel, but ultimately, he doesn’t see the point in repeating the same lines many other political comedians have built their careers on. That has not sunken in in the way that ‘Oh, Trump’s a dummy’ has sunk in.”Ĭamp adds that he feels similarly about Fox News. I do feel that even the people that watch my show, even the people–even my family, even the people I talk to as friends–they do need to hear about how corporations, corporate America, has taken over, has captured our political systems. I don’t feel that people need to be told what a moron Donald Trump is. “On top of that I feel like, although I will insult Trump here and there for being a buffoon and being a narcissistic, you know, megalomaniacal man-child,” the comedian continues, “I don’t feel that I need to really hit away at that all the time. And even if the Democrats may, you know, pay lip service here and there to caring about climate change, or caring about the environment, if they aren’t going to do anything about it, it doesn’t actually mean anything, what they’re saying. They largely agree on allowing the environmental destruction that is now, you know, destroying our world. ![]() “ are two corporate parties that agree on 80 to 90% of the structural issues–probably more like 90%–of the structural issues of this country,” Camp posits. But there is one man that the “Redacted Tonight” doesn’t see the point in harping on about, and that’s America’s latest president. In the first part of the episode, the comedian compared a former Goldman Sachs chairman to syphilis. The Amazon billionaire is hardly the only public figure in Camp’s crosshairs. That’s what made him the richest man in the world now.” It’s by forcing human beings to work until the breaking point. So where’s he going to become the fastest deliverer of products? Well, it’s by forcing human beings to go faster. “Bezos’s brilliant idea, the thing that made him as big as he is, was realizing that a company like Amazon can’t make the trucks drive faster on the highway, because of speed limits. “Bezos has shown again and again that he does not care for his workers,” the comedian continues. To get to the top of an industry, and then purchase and destroy any competitors. “I call America’s best sociopath,” says Camp, with a comedic flair that allows him to speak truth to power with a side of laughter, “because I think in order to do what he’s done, you kind of have to be a sociopath. One man in particular, Scheer notes, comes up in the comedian’s jokes and essays more than almost any other. Listen to the first part of this conversation here.Īfter “Scheer Intelligence” host Robert Scheer and “Redacted Tonight” host Lee Camp talked at length about his latest book, “ Bullet Points and Punchlines,” the two talk about Camp’s sense of humor in a bonus segment. ![]() |